Friday, October 9, 2015

Frankfurt Welcomes Feuerman With Solo Exhibition At Galerie Hübner & Hübner

Germany welcomes Carole Feuerman this fall with a solo exhibition at Galerie Hübner & Hübner. Carole’s exhibition will open October 9, 2015 and run through November 11, 2015. Galerie Hübner & Hübner exhibits international and national artists, and resides in the Frankfurt, Rhein Main region. Grueneburgweg 71 D -60323 Frankfurt / Main http://www.galerie-huebner.de/en/exhibitions/current.
General's Twin, 2009. Oil on Resin. 24 x 15 x 8 in.
Carole Feuerman has been a pioneer in the hyper-realist art movement since its inception in the 1960s and has been perfecting the movement ever since. Feuerman’s solo exhibition provides viewers the opportunity to see Carole’s progression into one of the most influential figures in the hyperrealist movement. The exhibition chronicles Carole’s career, presenting sculptures from her first ever solo exhibition to the present day. For example, Red Tie (1965) a sculpture from Carole’s solo exhibition in Fort Worth, Texas called Rated X, juxtaposes the sweet General’s Twin (2009), featuring a young girl swimmer blossoming into adolescence.

Beach With Goggles, 2011. Oil on Resin. 18 x 12 x 7 in.


Beach With Goggles (2011) is another youthful swimmer featured in the show. This rosy cheeked girl in a poka-dot suit looks to be relaxing after a long swim. Swimmers have been a main theme throughout Feuerman’s career, therefore, they are prominently represented within the exhibition. Due to the craftsmanship and hyper-realist quality of every sculpture one innately strives to apply a narrative or personality to each piece. For example, one can easily imagine Kendall Island (2014) in her lustrous black cap and sleek crisscross suit resting right after diving practice. 

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 in. 

Even tabletop pieces are quite easy to envision as living figures. A peaceful Miniature Serena (2013) floats along with her inner-tube, as she rests on a tabletop. Meanwhile, Miniature Quan (2013)  precariously balances on a sphere creating a dichotomy between the relaxed swimmer and the pressure being applied to the sphere. Furthermore, it is a representation of the Buddhist goddess Quan and her burden of protecting the world. Their is a feeling of power, presence, and strength reflected in the emotion and youthful quality in each piece, a sense that frequently flickers and fades with age. Malibu (2012) a young swimmer featured in the exhibit can easily be seen effortlessly ‘breaking through’ the water. Where do readers imagine Carole’s sculptures? 

To learn more about Carole Feuerman and watch videos of her working, please visit http://www.carolefeuerman.com and http://www.carolefeuerman.com/videos-carole-and-her-work/.


Miniature Serena, 2013. Oil on Resin. 10 x 17 x 8 in.


Thursday, September 24, 2015

Swimmer Sculpture Spotted in Chelsea

As a slew of gallery openings ensued in Chelsea last week I found myself caught in a cold and gloomy downpour. While walking briskly down 10th Avenue through the pouring rain I spotted Miniature Balance illuminated in the window of Jim Kempner Fine Art. Unaffected by the torrential rain in her sleek black swimsuit and glistening Swarovski crystal cap, she effortlessly caught the eye of many passersby’s. Looking serene and tranquil Miniature Balance acted as a ray of sunshine and warmth on a dreary night. With closed eyes and relaxed features Miniature Balance became a comfort and reminder that a little water never hurt anyone, even when caught in the rain sans umbrella.

While viewing Miniature Balance, I couldn’t help but think how life-like she seemed to me. It is very easy to catch yourself believing Carole’s sculptures are people at first glance, which is a result of the level of craftsmanship within every artwork. Each sculpture is meticulously rendered with every vein, eyelash, and water drop expertly placed. In many instances I have found myself having to do a double take when passing one of Carole’s swimmer’s. Additionally, they are always very inviting, enticing you to come closer and examine the artistry and detail within every piece. Miniature Balance piqued my interest, making me want to know the inspiration, thought process, and technique behind the piece. I am wondering what questions or thoughts readers have when viewing Miniature Balance?

 
Miniature Balance (Swarovski Cap), 2014. 
Oil on Resin. 18 x 16 x 9 inches.
  
With fall rapidly approaching Carole Feuerman’s swimmer’s become welcomed reminders of hot weather and summer fun. If you desire a few last remnants of summer, be sure to visit Carole’s show in the Hamptons at Nicole Ripka Gallery (760 Montauk Hwy Water Mill, New York 11976) through October 19th, 2015.

Friday, May 22, 2015

Carole A. Feuerman's First Solo Show at Harbour City, Hong Kong


As an artist, Carole Feuerman is always breaking new ground and doesn’t settle for half measures. Her next show is proof of that, as she has been invited to China for her first solo show at Harbour City in Hong Kong!

The show, organized by Art in the City at Harbour City, opens on June 18th and runs through July 5th.  The sculptures will be on view daily from 10 am till 10pm. Harbour City is located on the spectacular Victoria Harbour, one of the busiest spots in Hong Kong, and right next to the famous Star Ferry terminal!




Artist Rendering

Harbour City selected six of Feuerman’s most exciting pieces to be installed alongside the harbor front. The sculptures will be exhibited in a swimming pool constructed specifically for Feuerman’s swimmers solo show. Water will be projected via laser technology to complete the elegant illusion. 



Exhibition Blue Print

Harbour City receives 222,000 visitors daily. It is a must visit destination for locals and tourists alike. All of Harbour’s events are free admission and non-commercial. They are striving to inject art into the community and act as a bridge between artists and the public.

Harbour City sought out Feuerman’s work because her Swimmers live forever in perpetual summer. Their presence will be a catalyst for people to relish the season and revel in the fact that summer is back! Choosing to exhibit Feuerman’s sculptures in heavily trafficked areas will encourage people to interact with the pieces and feel the warmth and excitement that they radiate.

Art in the City’s mission is to raise public awareness and promote art through media. They hope to educate the younger generation as well as the entire community about artistic expression through the experience of public exhibitions.



The Golden Mean, 2012. Bronze and 24K Gold Leaf. 150 x 54 x 38 inches.


Harbour City has held five mega public art and cultural exhibitions since 2007. Among them was Ms. Yayoi Kusama’s ebullient solo show: “Dots Obsession, Soul of Pumpkin” as well as Florentijn Hofman’s wildly successful “Rubber Duck”, which drew thousands of admirers along the Harbour front.




Rubber Duck, 2013.

Harbour City offers luxury shopping and dining experiences unlike any other in the world. It stretches for 2 million square feet running parallel with the glorious Victoria Harbour. Its Star” Ferry pier was named one of the “50 Places of a Lifetime” by the National Geographic Traveller.

Harbour City has become a beacon of the arts. Art in the City has organized musical performances every weekend since 2001. They’ve also dedicated themselves to collecting art pieces from all over the world and exhibiting them throughout the complex.

As a premier destination for people seeking culture and creativity, Harbour City is endeavouring to be associated with the world’s most innovative and talented artists.



Monumental Brooke with Beach Ball, 2011. Oil on Resin. 45 x 60 x 43 inches.


Harbour City called on Feuerman to usher in heightened artistic interaction on a personal level for everyday viewers. Her sculptures are magnets for the eye and transformative for any public atmosphere.  

After the Hong Kong show, the sculptures will be exhibited in the Daejeon Museum of Art in South Korea, then travel to a museum in Seoul and on to Taiwan.



Monumental Quan, 2012. Oil on Bronze. 67 x 60 x 43 inches.


Recently back from Italy where her two new sculptures are being exhibited in the 2015 Venice Biennale by GAAF, Personal Structures, Feuerman is passionately enthusiastic about exhibiting in Hong Kong.  

Her sculptures will enhance the environment and leave an enduring legacy of joy and beauty in this magnificent public space.

Kendall Island, 2014. Oil on Resin. 70 x 21 x 38 inches.